Wednesday, June 10, 2009

CO ON THE CMJ HIP HOP #1108


















Colorado is back on the CMJ Hip Hop charts, after Kid Hum landed a spot on the Top 20 this week. This week Kid Hum's Offshore Drilling debuts on the charts at #19!!! Make sure you check this FREE ALBUM out if you have not yet, its nice.

DOWNLOAD KID HUM'S OFFSHORE DRILLING FOR FREE

TWLW2WPKWKSArtistRecordingLabel
11118ABSTRACT RUDERejuvenationRhymesayers
26825ANCIENT ASTRONAUTSWe Are To AnswerESL-Switchstance
34334BIKE FOR THREE!More Heart Than BrainsAnticon
412-42MOS DEFThe EcstaticDowntown
52228DJ VADIMU Can't Lurn ImaginashunBBE
691063BUSDRIVERJhelli BeamAnti
737310MR. LIFI Heard It TodayBloodbot Tactical Enterprises
87668GURU8.0 Lost And Found7 Grand
917-92SOUL ASSASSINSIntermissionGold Dust
1084112GROUCH AND ELIGHSay G&ELegendary
11109113ACEYALONEAceyalone And The Lonely OnesDecon
1255112DOOMBorn Like ThisLex
131419133BPOSThe UpsideOne League
141112118ZION IThe TakeoverGold Dust
151330134TORAE AND MARCO POLODouble BarrelDuck Down
161640166D-SISIVELet The Children DieUrbnet
171814319K'NAANTroubadourA&M-Octone
183226183J DILLAJay Stay PaidNature Sound
19-32192KID HUMOffshore DrillingRock The Dub
201937193CAGEI Never Knew You [EP]Definitive Jux
212620122P.O.S.Never BetterRhymesayers
22--221CHUBB ROCK AND WORDSMITHBridging The GapNu Revolution
23281389ALEXIPHARMICAmerican BeautyElephant Memories
241516414EXILERadioPlug Research
2525211721IMMORTAL TECHNIQUE"The Third World" [Single]Viper
262722121N.A.S.A.The Spirit Of ApolloAnti-ANTI-
2721-216CLASSIFIEDSelf ExplanatorySIN/Canada
28231186THEMSELVESTheFREEhoudiniAnticon
292418417LADY SOVEREIGNJigsawMidget
3036242411BROTHER ALIThe Truth Is Here [EP]Rhymesayers
313536238JAY ROCKAll My LIfe (Ghetto)Top Dawg
32-34323FRESH ESPRESSOGlamourSelf-Released
33--331VARIOUS ARTISTSTurntables On The Hudson: 10th AnniversaryWonderwheel
34--341BIG SEANFinally Famous: The MixtapeG.O.O.D.
35-38352CAM'RONCrime PaysAsylum
36--361KRS-ONE AND BUCKSHOTSurvival SkillsDuck Down
3737-225METHOD MAN AND REDMANBlackout 2Def Jam
3830312210JADAKISSThe Last KissDef Jam
39--391VARIOUS ARTISTSDaniel Haaksman Presents Funk MundialMan
404025259CLIPSETill The Casket DropsColumbia

Tuesday, June 9, 2009

Karma & FOE - Tic Toc Video

New fire from Karma and FOE, check out the video for "Tic Toc" directed by Angel A. Rosado of Glow Digital Video Studios for Jewell Tyme Entertainment.

Monday, June 8, 2009

3 The Hardway - Class Is In Session


Here is a 3 The Hardway interview originally conducted mid-April 2009 which in part, ran in The Metropolitan. This is the interview in its entirety. Enjoy.

-Lumbajack


LU: Tell me a bit about “Set In Stone”.


Es Nine: The album took just under a year and a half to complete. But it was basically all of our hard work and dedication to music put into one basket. We wanted to prove that we belong in the scene, not only on a local level but on a national spectrum as well. We wanted to bring back that classic sound of heavy drums, dope samples, excellent cuts, and meaningful lyrics. We wanted this album to be “Set In Stone” with some of the classic albums we grew up bumping. Since the album was released, "Set In Stone" was chosen as the “Hip Hop Album Of The Year” by Westword, and 3 The Hardway was selected to perform the “Bands You Need To Know” presented by 101.5 FM and Soda Jerk Presents.


Cysko Rockwell: This album has been in the works since the naming of the group. The reason the wait took so long is because of personal issues and also me breaking equipment, so the cuts took a little longer than expected. The album is being received very well and it is of no surprise to me. I knew Es-Nine and A.V.I.U.S. would do their part and hopefully I did mine.


LU: For those who don’t know yet, describe your sound and the vibe of the record.


A.V.I.U.S.: The sound of the album is very West Coast underground oriented: a very positive vibe, with that boom bap feel.


CR: Official Boom Bap Hip Hop


LU: What is the difference between an A.V.I.U.S. record and a 3 The Hardway record?


CY: More of a collab feeling as far as the dj element, meaning a lot more scratching. And also everyone grew as artists.


AV: The A.V.I.U.S. “Patience” album was a very aggressive album, almost angry, where as the 3 The Hardway "Set In Stone” album has more of an up-tempo good-vibe feel. It still has the “classic” A.V.I.U.S. rugged delivery, and has cuts on every track giving it a totally different feel than “Patience.” As a whole it showcased how much we have each grown as artists and proved that we work well together in our own aspects of the group

.

LU: Es-Nine, who would you most love to work with as a producer?


ES: I gotta say Rakim, Nas, and Jay-Z are at the top of my list.


LU: What are your feelings on the Denver hip hop scene? Who would you like to collaborate with? Would you leave Denver to “make it” on a larger scale?


AV: We love the Denver hip hop scene and the music scene in general. It has opened the door for us and given us a home and opportunity to make our mark on the industry. Honestly we would love to make it from here, but should the opportunity present itself yes we would, but only to open the door for ourselves and the rest of the scene here in Colorado.


ES: We have a new motto this year that we created with L.I.F.E.House (L.I.F.E. Crew, House of Waxx) 2009 is a new year and we need to come together with everyone. Give everyone a shot, and see what happens.


AV: We love the Denver hip hop scene and the music scene in general. It has opened the door for us and given us a home and opportunity to make our mark on the music industry. Honestly we would love to make it from here, but, should the opportunity present itself: yes we would, but only to open the door four ourselves and the rest of the scene here in Colorado.


CY: The scene is growing rapidly and I am impressed with the older cats in the scene growing into their own sound and things will only get bigger and better in CO.


LU: DJ Cysko Rockwell, tell us about your accomplishments as a DJ, a bit about the Crunk Bros., and your plans as a DJ for the future.


CY: I have won plenty of little titles along the way as well as some big ones!


2002 Barts Champion

2002 Guitar Center Colorado Blvd. District Champion

2002 Guitar Center Phoenix Regional Finalist

2003 Barts Runner Up(2nd)

2003 Next Level TV show Champion

2004 Guitar Center District Champion (Vegas, Phoenix, Utah, Colorado)

2004 Guitar Center LA Regional Finalist

2004 DMC Boulder Runner Up (2nd)

2006 DMC Boulder Champion

2006 DMC USA Finalist

2006 DMC Battle For Supremacy USA top 8

2006 Guitar Center Colorado District Champion

2006 Guitar Center San Francisco West Coast Regional Champion

2006 Guitar Center USA top 6

2007 DMC USA Runner Up (2nd place)


The Crunk Brothers are still working(somewhat) Thought, Shake, and Mier are busy with their new ventures and I wish them well, I am just happy to see them spin here and there. Tense and Discord are staying busy doing their thing with their groups (Maneline, and Boom Box Saints) as well as playing out when they can. Es-Nine and myself are trying to work on some new 2 by 4 routines and we spin the Tooeys night every first Saturday of the month and i am spinning Tooeys on another night i am starting as well as the loft every wed. I will e doing more underground and club nights in the future as well as shows. So be on the lookout for those nights. On another note I will be releasing at least 4 to 5 mix cds this year as well as working on my solo production/collabo project. On top of that you will see my name in all of the major dj battles this year (The Gong, Scribble Jam, DMC showcase and head to head, and maybe a few others) so keep your fingers crossed for your big CO homie and hopefully we will bring home a US title for our square state!


LU: Es Nine, how did you get started producing, what equipment do you use, and where did you go to school?


ES: I actually started as a DJ and from there I wanted to do much more than just play records I loved. I wanted to make them. The first piece of equipment I did anything with was on my mentor’s (El Sun) MPC 2000. But, my first exposure to production equipment was the EPS which later became the ASR10. I received my engineering degree at the conservatory of recording arts and sciences in Arizona. The best investment I made in my career.


LU: What artists are your biggest inspirations?


CR: Good music is what fuels me. I just love good hip hop and the shit is not dead. I think there is more good hip hop out there than ever before. But with that said there is twice as much bullshit you have to drudge through to find it. I am going to keep myself making mix cds, battle routines and now beats because that is what I love to do.


LU: Where do you see hip hop headed in the next few years? Do you see yourselves updating your sound to keep up with the ever-changing face of hip hop, or is the plan to stick with the true school sound 100%?


CR: I personally will keep doing what I have done in the past and maybe branching out to new avenues on my own path(as far a s my djing) but as for the group, we will keep making that authentic hip hop sound and not try to be scenesters but still keep up with the hot sounds.


AV: Don’t know where it is going…But as long as we do what we do, that is all that we can do. We don’t try to change ourselves with the newest trends of music. It hasn’t gotten us to where we are, and it sure won’t get us to where we are going.


LU: What keeps you motivated as a group and as solo artists in hip hop?


AV: My biggest inspiration is my kids, they keep me going and give me a reason to succeed. Music as a whole is an inspiration, it allows me to let go and tell my story and hopefully touch other people. Motivation is never needed. The will to succeed and belief in myself and my group is all we got.


The new album “Set In Stone” is available at Twist and Shout Records, or online at:

www.mysonictonic.com/3thehardway

www.myspace.com/03thehardway

Saturday, June 6, 2009

SCHOOL SHOOTINGS AND BOTOX

Modern Times (school shootings and botox) is the 3rd CD in a Trilogy from the Parkhill Shortbus.

DOWNLOAD MODERN TIMES FOR FREE



















Press Play.




Parkhill Shortbus ft. Jagzilla, Chinch33, & Shmeeze "Please Have Mercy"

Please Have Mercy: This song has a great beat. Parkhill Shortbus, like Ichiban, love to surround themselves in rich & complex harmonies.



Parkhill Shortbus ft. Geezle Shakti, Shmeeze & Ichiban: "12 Step Program"

12 Step Program: This beat is reminiscent of the mid 90's Lord Finesse sound, with horror movie soundtrack thematics, and a crystal clear drum break as the backbone.

Ichiban throws down an lyrically goes into the "School Shootings" section of the album title. I had to rewind it a few times, definitely one of the best "Modern Times" verses I have heard. Make sure he listen the whole way through so you can hear him go off, you'll be glad you did.



Parkhill Shortbus ft. Geezle, Shmeeze, Ichiban, & Chinch33 "Pen Game Savage"

Pen Game Savage: another classic beat. Probably my favorite beat on this album hands down. It really brings the best out of all these rappers too. Nice hook too.



Parkhill Shortbus ft. Chinch33, Shmeeze, Geezle, & Jagzilla "Unreal"

Unreal: This song starts out with a sample of a schizophrenic man being interviewed. The beat is of a different style then what we have heard so far, but it is a welcome change. The Hook, and the melody that goes with it are the dope



Parkhill Shortbus ft. Ichiban, Geezle, & Shmeeze "Enemies"

Enemies: This track utiilzes a sample from Kanye West's "Love Lockdown", before launching into a full on rap assault from Ichiban, Geezle, & Shmeeze. Definitely that futuristic funk.



Parkhill Shortbus ft. Shmeeze, Chinch33, Jagzilla, & Acylum "Sliver Spoon"

Sliver Spoon: Another Ill Beat.


















Like all the Parkhill Shortbus mixtapes, the whole thing is peppered with hilarious skits, the type you get when the homies keep a sampler close enough at all times to ensure they can properly transmit their laughter to tape.

Most of this was produced by Yonnas, who is by far one of the most talented producers and all around hip hop artists in Colorado. Hands down.

The executive production by Shmeeze was very good, and gave the album some comic relief as well as a cinematic feel.

This is also my favorite of all 3 CD's in the Trilogy.

Dope shit.

Previously: Disc 1, Disc 2

LUMBAJACK

We have a new author @ The Report, his name is Lumbajack.


















Lumbajack
is a veteran journalist, who started at the age of 15 by publishing his own nationally distributed music zine called Going Nowhere and later a web-zine called Final Chapter about music, art, film, and subculture.

He currently operates With The Hat to Match, a website which features a ton of dope compilations (like the Christmas 2X he put out last December), as well as archived interviews and material from years ago that he has unearthed from his portfolio.

Stay tuned for some interviews, album reviews, and other material from Lumba, our brand new author @ The Colorado Rap Report.

Wednesday, June 3, 2009

SMILING FACES AND NASTY TEETH

Friendly Fire (smiling faces and nasty teeth) is the 2nd CD in a Trilogy from the Parkhill Shortbus.

DOWNLOAD FRIENDLY FIRE FOR FREE


















Press Play.




Parkhill Shortbus ft. Deca "White China"

Out of all the albums in this Trilogy this one has the most disturbing and fucked up interludes, and the laughter is now kinda nervous, and shifty-eyed.

Somoli Pirate Pep Juice: Finally on the 2nd CD OG Shortbus MC Deca makes his first appearance, on the aptly titled Somoli Pirate. Song is worth listening to just to hear his contribution towards the end. Nasty.

White China: Solo Deca, enough said. My favorite song on this album hands down. Fans of The Hedonist will want to get their hands on this one.

Time In A Day In The Life: Classic Parkhill Shortbus/Ichiban style of production, rich complex harmony, Ichi kills it. Comes complete with some great cuts and scratches courtesy of a mystery DJ. If you like this type of song make sure you cop Ichiban's solo LP from 2008, "Psycle Analysis".

Good shit, stay tuned for Pt. 3


















Bonus:



Parkhill Shortbus ft. Geezle Shakti, Shmeeze, Ichiban, Deca "Somoli Pirate Pep Juice"



Parkhill Shortbus ft. Shmeeze, Ichiban "Time in a Day in the Life"

Thursday, May 28, 2009

THE GREATEST SONGS U NEVER HEARD

New LP from Dent, featuring rarities, b-sides, and some brand new material.



Press Play.



Dent ft. Phumes "Yo Love" (Produced by Ron Jullian)


Here are our thoughts on some of the standout tracks on this album.

GRIND MUSIC 09: Sol Powa's beat on this is ill. Dent's rap on this is, strange, like never really heard him fuck with that style. Its like drunken boxing as opposed to Dent's normal Karate.

ROCK ROCK Y'ALL: Classic 2004 vibe, Dent playing his part as the lost member of The Procussions, w/ Stro on the beat. Enough said.

YO LOVE: Any song with Phumes is a gem to me... Hopefully we'll do a nice little Phumes feature soon on the Rap Report. Also cool to see "Sunshowers" being referenced here in its developmental stage. Because this song has got to be older than "Sunshowers", because its Dent & Phumes. Phumes kills it by the way, where is that dude?!?!

WHO I BE: Another crazy style from Dent, kind of his Shady/Aftermath side? It works whatever it is, and who is Odetta? A lot of lost music on here for sure, this LP is turning out dope. And I don't usually support "B-Side Compilations", but this is almost like an LP.

TO THE TOP: Ill beat from producer Flawless. The homie Hevy gets some shine on this, which is dope. Everyone comes correct and this beat is really nice, with a dope bassline and everything.

ALL THE REAL HEADZ: Yo it starts out normal enough, but wait til you hear Dent, or should I say, EMIDENT!!! Wow, this is the Shady/Aftermath side of Dent full power, I was like, Where have I heard that before?? That's Eminem's flow!! But he pulls it off, and its a trip.

Overall this is very consistent, and captivating, with few dull moments. An attention keeper through and through.

Bonus:


Dent "Grind Music 09" (Produced by Sol Powa)


Dent ft. Hevy "To The Top" (Produced by Flawless)